The Hollywood composer, Dr Miklos Rozsa composed the score for an american cinematographic adaptation of "Quo Vadis" (1951) directed by Melvin Leroy and
produced by Metro Goldwin Mayer. The film was shoot in Rome at the
Cineccita studio, Italy. At that time, Dr Rozsa has been under contract with MGM for three years.
In 1977, the Decca label decided to produce new
recordings of three of the most important epic scores by the composer :
"Quo Vadis, Ben-Hur and King of Kings". Unfortunately, only two were recorded.
Now, more than sixty years after the movie was shown, the Tadlow label has just recorded the complete film score of "Quo
Vadis".
Suite from "Quo Vadis"
This seems to me the right moment to put some light on the Decca recording...
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The compilation of the recording of the Decca Album, (September the 3rd, 1977) :
Assistant to Mr Rozsa :
Christopher Palmer
Producer : Ray Few
Engineer : Stan Goodall
Orchestra : The Royal
Philharmonic Orchestra
Chorus : The Saltarello Choir
(Non Professional
Singers from Dr Rozsa’s comments)
Time of The Recording
Session : 6 hours
Special Visitor : Charles
Gerhardt
Place of Recording : London's Kingsway Hall
Recording
order (from Dr Rozsa’s own list) :
Prelude *
Finale *
Ave Caesar
Chariot Chase
Epilogue
The Burning of Rome
Hail Galba
Fertility Hymn *
Aftermath (Death of Peter
* / Death of Poppaea / Nero’s Suicide)
Petronus’s Banquet,
Meditation and Death
Marcus’ awakening (Marcus
and lygia)
Lygia (love theme not retained in the final record)
Assyrian Dance
*: (Orchestra and Chorus)
Not recorded because of
lack of time :
Bacchanale
Women’s Quarter of Nero
Sicilian’s Dance
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Here are some pictures of this recording session taken by my father :
Dr Rozsa chatting with a player who had been a member of The RPO
at the time of the original recording of "Quo Vadis" in 1951
Dr Rozsa with Christopher Palmer
Dr Rozsa with Charles Gerhardt
Dr Rozsa is conducting The Royal Philharmonic Orchestra
The Royal Philharmonic Orchestra
Kingsway Hall
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